Posts Tagged ‘cheryl cole’

Rupert Murdoch’s News Corporation bought MySpace in 2005 for $580m. Yesterday it sold to an online ad company for around $35m. Few tears will be shed for Rupert’s $545m loss.

Did anyone know the true value of MySpace? More pertinently, does anyone recall the MySpace hype? Current PR hot air suggests that other media darlings will crash and burn. The huge corporate guerrillas fail to see true value because they do not understand that many of the channels actually grow, flourish and survive on their own authenticity.

So often, many pay top dollar for hype and PR muscle to inflate the market, failing to comprehend the strength of the tool they are using. Just think about reality TV, or even brands like GaGa or Cheryl Cole. They are all huge money spinners, wanted and adored for a fleeting moment in time. The market demands beautiful people with compelling narratives. However, they all take for granted the most important factor; the audience. Read the rest of this entry »

In the wake of Cheryl Cole’s turbulent relationship with the media since her sacking from the American X Factor, here are some tips, inspired by Andy Green, that might help her through any other media difficulties that may come her way in future.

Cheryl’s recent sacking is an opportunity to re-evaluate her identity and learn valuable lessons in creativity. We all have to learn to deal with rejection and the word ‘No’.

1. Focus on who you are and why you’ve been successful.

A strong identity and deep roots in what made you successful in the first place will help you weather the worst storm. Was the American ‘X Factor’ actually the right strategic move for you? What is your real mission in life? Is your brand in accordance with this? Remember, being a sleb is not the most important thing in life.

2. Do you have a relevant narrative?

When you move on to a new challenge is your ’story’ appropriate for the new context you are moving in to? Consider this: is an American TV focus group going to be moved or confused by “British television celebrity/Geordie singer/overcame the odds/deprived back story”? Always bet on the latter. Read the rest of this entry »

Britain’s Got Talent has rolled around again and again the nation is gripped. Out with the old and in with the new. It’s been this way for a while. Remember, it’s not five minutes since the X Factor was all anyone could talk about, but that’s seeped away into the mists of time as BGT conquers the attention spans of the nation.

Like a Chinese meal, it is all you can taste and think about, but when it’s finished it’s forgotten and all you want is the next fix of foodstuff. There’s news, there’s excitement, there’s hyperbole scattered all over the place like MSG – and then it’s gone.

Of course, we are at the point that everyone is most interested in – the freak parade. Never mind the machinations behind the scenes or the commercial value of the brand; this is what the people most care about; the narrative, the crazies.

Given that it’s all about BGT right now, will we ever know the truth of what caused Cheryl Cole’s American X Factor exit and non-admittance to the UK judging panel? I doubt it, as the people have spoken and what they want is the tears, the heartache, the visceral stories, whether good or bad. What use is a nation’s sweetheart without some pain? We’ve used up the divorce tears – here’s the next weepie Cole adventure. Read the rest of this entry »

“May you live in interesting times,” says the old Chinese curse. Somebody seems to have willed interesting times onto the X Factor of late and much of it is to do with the ubiquity of social networking.

Cowell’s money machine TV show has always trodden a fine line between seeking privacy for its big announcements and demanding that everyone talk about the show around the water cooler, be it real or virtual, but that need for word of mouth has come back to bite the show on the backside with a vengeance in the last week. Depending who you listen to, that is.

On the audience’s side, there widespread disgruntlement on the social networks at Cheryl Cole’s dismissal of Gamu Nhengu Read the rest of this entry »

Have you overdosed on the X Factor? Are the opinions of the judges getting you down? Have you felt like venting your feelings about the loss of your favourite contestant? Did Danyl’s departure in the semi-finals really get your goat? Did Lucie losing out to Jedward rile you to the point of despair? Or are you simply sick of the whole ‘poptastic’ shebang?

If the answer to any of these questions is “YES”, Borkowski has a couple of tasty slices of satirical goodness to ease your rage, two fine diversions from a toxic weekend of TV carnage. In a burst of pre-Christmas generosity, we present The Exterminating Factor, a neat-but-twisted X rated game that allows the player an opportunity to vent their destructive feelings. All within the bounds of legality and common sense, of course – we are in no way suggesting that the game’s scenario should be re-enacted in real life.

You see, this twisted little game allows the player to shoot virtual nails into the disembodied heads of Simon Cowell, Danni Minogue, Cheryl Cole and Louis Walsh – and what would there be on TV worth being ranted and fulminated about if The Exterminator Factor were taken too seriously and acted upon in real life?

Better just to play the game and feel that shiver of nervous satisfaction as the first virtual nail strikes and two smaller judges’ heads burst from Simon Cowell’s smiling face. Or gasp as the dimpled smile of a tiny Cheryl Cole disappears forever in a hail of virtual nails.

Based on the gaming classic Asteroids, The Exterminating Factor is the perfect way of letting loose all your pent up frustrations at the 21st Century’s premier talent contest cum soap opera. Click on the picture to access the game.

And as if that wasn’t enough, Borkowski also presents a sharp, satirical poem for all the pacifists and non-gamers out there who are tired of celebrity for the sake of celebrity; of popularity contests masquerading as talent contests; who cannot bear to see the world and its wife doing everything in its power to be famous.

The Sleb’s Prayer, by the remarkable poet Adam Horovitz, features music based on a sample by great 60s garage rock band, The Groupies. The track has been wrapped up in Mel Rodiq’s stunning video in the style of magazines like Heat and OK. You can see it below.

Jedward may finally be gone from the X Factor, but that’s no reason to expect that they have automatically dipped straight off the fame radar. For all of you wondering why and how they lasted so long on the X Factor, I contributed to a couple of articles in the Independent and the Telegraph looking into the phenomenon, the manipulation and the plundering of the Jedward brand.

To read the Independent article, click here. To read the Telegraph article, click here.

I’ve just been reading an intriguing post by that doyenne of the celebrity underbelly, Madame Arcati, querying the disappearance of an article by the Times’s Dan Sabbagh on Sir Philip Green’s involvement in trying to break the X Factor in America.

Arcati, whose blog is the current darling of the blogoshphere and one of its best, sexiest reads, muses, with an amused raised eyebrow, on the possibility that the article – which threw light on Green’s angling for a $9 million raise for Cowell and the idea of broadcasting an American X Factor on Fox to tie Cowell to American Idol for the next two and a half years.

Arcati wryly pricks the egos at work, acknowledging that the story could either be a fabrication or an irritant to the moguls behind X Factor and American Idol. The missing Sabbagh story is either full of “unusually fearless objectivity” or “total tosh” – either could have prompted its pulling.

Regardless, the good Madame, by exposing the article’s vanishment, is gleefully and gloriously helping expose the powerful PR muscle that keeps the X Factor in the public eye.

As we know, the X Factor is the current role model for promoting celebrities, if not neccessarily the ones it is purportedly creating. I’ve been looking at the rise of Cheryl Cole; the Independent asked for my opinion on her success. It all ties in rather nicely with Madam Arcati’s timely piece.

“She is a phenomenon of the moment,” I told the Independent. “There is a time and place for opportunities driven by The X Factor. Marketing is built to capitalise on the moment. With every level of pop, it’s going to be transient. It’s about harvesting the brand at its prime, and knowing their sell by date is firmly tattooed on their arse. There’s no long-term future with Cheryl Cole. You drill your marketing through the ears listening at that moment in time to the music. They’re sinking the drill into the deep well and sucking up the crude while it’s where it is.”

You could say the same about the X Factor and, if the missing Times article is to be believed, the people behind it know this and are pushing to squeeze out every last drop of milk whilst they still can…