Posts Tagged ‘cliche’

I think it’s time to act. Consider this, my happy followers. We are being submerged by cliché! Need proof? Just see my post from yesterday: Governor Sarah Palin attacked, as a “blood libel”, suggestions that her political rhetoric contributed to last Saturday’s fatal shootings in Arizona. Blood libel? Glory be!

These PR sound bites and political clichés are usually concocted in the cauldron of warped Machiavellian PR spin-meisters. As the global media devours the aftermath of the event, the expression is already spiralling out of control. And I am offering you a chance to name and shame the worst offenders. Read the rest of this entry »

We are living in a karaoke media culture – everything we see is a pale, recycled copy of something that’s gone before and, worse still, this sincere flattery of icons and iconography past is being actively encouraged.

Miley Cyrus is heading off down the well-trodden path of over-sexualised image that has been presented 1000 times before and is well known to end in ruin at least half the time. Even Kylie has got in on the act, kissing Ana Matronic from the Scissor Sisters; a direct echo of Madonna and Britney’s “lesbian” kiss.

Prince Albert of Monaco is doing a karaoke version of his father by marrying an American celeb, who is a pale imitation of Grace Kelly. And then there’s the Princes, William and Harry: William is currently back with Kate Middleton, whom the press insist shares much in common with his mother, Princess Diana; Harry is off clearing mines in a bid to be like his mother. A Freudian could no doubt get some considerable mileage from the undercurrents created by the media’s presentation of them.
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It strikes me that all is not well in Britain’s Got Talent, that something is falling apart. This year, the show opened on 10.6 million viewers (a 44% share). By May it was on a 43%. After four weeks in, it is currently running down 5% on last year, which opened with 11 million viewers. The year before it opened on 10 million viewers (a 42% share). There is a sense that it may have peaked in the wake of Susan Boyle – bear in mind that the 2008 season final was watched by 14 million whilst in 2009 16 million tuned in for the live show and an astonishing 17.3 million watched the final results show.

It doesn’t help that this latest series has seen all the same clichés spilling out onto our screens once again. Too many of the same old freaks are attempting to ‘live the dream’. There’s Janey Cutler, who is clearly is in line to be the next attempted SuBo; there’s a comeback kid in the shape of the drummer who was awful last time but in the running again because everybody loves an underdog; there’s the same old ‘outrageous’ acts that Simon can make a pretence of being turned on by.
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I heard today that Howard Zieff had died – a name I’d not really encountered before, despite the fact that he’d directed a few breezy comedies like Private Benjamin, starring Goldie Hawn – but the obituaries made me sit up and take notice. It turns out that, when he started out in advertising, he was very much in the Jim Moran mold; a man who used wit to get people talking and whose campaigns kick-started the more realistic advertising and promotion of brands that has become so commonplace and important to modern advertising and PR.

Raised in the Bronx, Zieff’s major breakthrough was to use real people in the adverts he created, real people whose faces told a story every bit as clearly as the adverts themselves. His most famous advert was for Levy’s rye bread, which ran with the tag line: ”You don’t have to be Jewish to love Levy’s.”

“’We wanted normal-looking people, not blond, perfectly proportioned models,’” he told the New York Times a few years ago. And normal for Zieff, who grew up in the Bronx, was a wide, multicultural mix. The Levy’s advertisements, therefore, featured an American Indian, a Chinese man and a black child.

“’I saw the Indian on the street; he was an engineer for the New York Central,” Zieff told the New York Times. “’The Chinese guy worked in a restaurant near my Midtown Manhattan office. And the kid we found in Harlem. They all had great faces, interesting faces, expressive faces.’”

Another of Zieff’s big, early campaigns was for The Daily News, which captured the spirit of Jim Moran on film; each advert featured a person reading the paper and becoming so engrossed that they accidentally did ridiculous things – a petrol pump attendant placing the petrol hose in his customer’s pocket rather than the car, for example.

He was also involved in bringing stars like Robert de Niro and Dustin Hoffman to the fore, thanks to his interest in strange and interesting faces rather than the perfection that was the norm of the time. Zieff, in the face of considerable opposition, created the template for a great deal of today’s advertising.

Modern advertising and PR, which has thrived on the witty, truthful and artfully homespun approach to promotion that Zieff instigated, often forgets one thing that he perpetuated, however; the determination to do something new and radical and his ability to get word of mouth out of it.

He created a buzz with his adverts using models from all cultures and walks of life, a stir that ran hand in hand with the mood of the times. He learned from the past and looked to the future, rightly assessing that in an era where Rosa Parks, JFK and Martin Luther King were changing the political landscape of America, brand promotion should not be far behind. He was always pushing at the boundaries to see where he could take his advertising next.

In an age of digital marketing and instant access to information, an age where that information is overwhelming, an age of recession, publicists and advertisers need to be taking the bold steps into new ideas that Zieff took or they are likely to be left behind.

It is no longer enough to rely on the ideas he created, which have become tropes and clichés thanks to their ubiquitous use. The past should be plundered, yes, but not for the ideas that have become stale with overuse. We should be looking at out of the box thinkers like Moran and Zieff and be inspired to think as hard, fast and wittily as they did, in the hope that we can create something new and exciting, something that will generate that holy grail of the publicity world; awed, surprised, astonished or even just amused word of mouth, something that people will talk about for years to come and that will, with any luck, become cliché in 40 years time.