Posts Tagged ‘conference’

Popularity Politics

Accused of not letting slip any details of policies that would be employed should they form the next Government, the Tories came out in surprisingly brave style yesterday, thanks to George Osborne.

He may have the charisma of a financial director of a small engineering firm in Colchester, but Osborne has been the boldest politician on the block this conference season, playing on the Tories’ current popularity to roll out plans for an austere Britain should the Tories come to power.

“After a year in which trust in parliament has been rocked to the foundations, we know that politics must change forever,” he told the Tory faithful. Then, in a definite nod to both the careful PR husbandry of Andy Coulson, the new Cardinal Richelieu of spin, and the needs of the public, he added: ‘We have to be open and transparent with the people we serve.”

It’s a risk, especially for a Tory party riding its first wave of media support in a long time. Not so long ago the Tories would have been very aware of the media looking carefully at the effect on the public of a group of old Etonians asking country to tighten its belt. But with the Sun on their side, this is the first conference that they are feeling confident at – and Osborne has taken a gamble by asking everyone but the poorest Briton to do exactly that to make sure the country gets out of the huge deficit.

Of course, anyone even paying lip-service to transparency in politics at the moment is likely to do well, however unlikely it is that the transparency will last long after power’s been achieved. Osborne, however, knows full well that he is not likely to end up as unpopular as Gordon Brown, whatever happens. We may have seen huge applause for the prime minister and his wife at the Labour conference last week, but a huge percentage of the people clapping, particularly the Balls and Darlings, are likely to have a dagger with Brown’s name on it concealed about their person. They’re all PR savvy enough to not want to be associated with the sinking of Labour and will be working out ways of leaving Gordon holding the baby.

Talking of hidden daggers, I was at the Pride of Britain awards last night and had the pleasure of watching the popular Piers Morgan working the room with ease, wit and a certain amount of grace. He and his partner, Celia Walden, make a very likeable pair – she’s his Michelle Obama.

I fell to wondering what this popularity could mean for his position in the Simon Cowell empire. Piers is getting to be much more popular than he used to be; will Cowell – the alpha male of the X Factory– allow someone on one of his shows to be this genuinely liked?

It’s time to be vigilant – this has all the makings of an epic off-screen soap opera that could run and run. Keep your eyes peeled for the next thrilling installment, coming soon!

Brand Immortality & Looting the Dead

Celebrity death is best done young, or youngish, whilst all the characteristics that enamour the public to them remain intact. It’s not great for the celebrity in question, perhaps, but certain brand-builders love a good image that’s been soused in aspic and preserved for an eternity of milking.

Take Michael Jackson, whose death has seen the worst elements of him shorn away, with only the adulation left; there’s now a competition to design a fitting memorial for him. And of the entries, there’s not one but three suggestions to build a Jackson-shaped island off Dubai, next to the other man made islands. The proposals would, of course, all have theme-parks on them – a home for Neverland ranch, if the new owner feels the need to sell it.

It’s astonishingly gauche, but somehow hardly surprising. I half expect one of the entries to win and then we’ll be able to see a Jackson-shaped landmass from space. What an alien visitor would make of this is another question.

An alien visitor’s reaction to the relentless plundering of Jackson’s brand in the months since his death would make for interesting reading, too. The family started it, with Jackson’s father launching a record label in the wake of his son’s death. The only way from here is to plunder more, until all the contrary mystery that Jackson maintained is gone.

Not that you have to be dead for your brand to be plundered: licensing firm CKX Inc recently bought an 80% stake in the image rights to the great boxer Muhammed Ali, paying around $50 million to use his name, image and likeness of the boxing champ, as he was at the height of his powers, as they see fit. Ali retains 20% of himself in the deal (more, I suspect, than is actually left of the iconic boxing champion in him) as well as taking the money upfront, a shrewd deal for a man who was so badly damaged by boxing, one which guarantees his survival in the collective consciousness.

The same plunder is happening with all sorts of iconic figures of the 20th century, from Marilyn Monroe to Elvis to Che Guevara. Their images have been in use for years, generating awesome amounts of money for the license holders and for the estates of the dead stars, but it will be interesting to see where new technology takes their images – we’ve already seen Laurence Olivier resurrected for theatre and film, but as the technology advances, so will the scope for looting the brands of dead stars. Whole films carried by computer-generated versions of James Dean? A new romcom starring Elvis and Marilyn with a supporting role for Che? The possibilities are terrifyingly endless.

What fun the brand looters could have with Peter Mandelson, who stood up at the Labour conference the other day and completed his resurrection. As Quentin Letts pointed out in the Mail: “There were self-puncturing jokes, swishes of kitten claw and a series of exaggerated waist swivels, arm gesticulations and eye flashes worthy of a Michael Jackson impersonator.”

It leaves me wondering what we would be left with if Mandelson were to shuffle, untimely, off this mortal coil. Preserve him in aspic now and we would have the new, pantomime Machiavelli, the glamorous manipulator, the ultimate in Lazarene politician-kind.

Simply, he is the current brand apotheosis of this type of politics and the standing ovation he received at the Labour conference is as good as any baptism in waves of spin. Now he is free to fight his way to the leadership of the Labour party. I wonder which way the Sun would turn if he was in charge?

That said, I doubt anyone would consider building an island in his honour, should he pass on suddenly. A scale model of the Millennium Dome in a model village somewhere, perhaps, but that’s about it. Which is more than can be said for Gordon Brown, mind you, who, despite a rousing speech at the conference yesterday, has yet to shake off Steve Bell’s branding of him as a rain-cloud. His only hope for long-term brand management is his wife…

Strictly Come Politics: Ageism, Ballroom Dancing and the Conference Season

Nick Clegg’s been getting a great deal of attention in the press at the Lib Dem conference this weekend. What I’ve taken away from Clegg’s conference manoeuvres, however, has not been the substance so much as the style in which it is presented.

But then it’s been a weekend of style over substance: 30-year-old Alesha Dixon, the winner of Strictly Come Dancing, who was brought in at the expense of the previous judge Arlene Phillips (66) to “give the show some youthful glamour” failed to win the wholehearted approval of the viewing public that the BBC were hoping for in the wake of the ageism row that erupted after Philips’ sacking.

She was, it seems, brought in to make the old men on the panel appear to be a little more sexy, although the official story is that she was brought in to speak with the voice of the viewer. Dixon’s failure to connect with the Strictly Come Dancing audiences this weekend – the show lost out badly to X Factor in its first week of competition – is surely a sign that there are plenty of people out there who value substance over good looks. It is also proof beyond doubt that the voice of the viewer is perfectly well-served by the BBC message boards.

Politics has, in the last 20 years, followed a similar pattern. Clegg became the head of the Lib Dems because he is clean-cut, looks good in a suit and is prepared to pose for the cameras at the pier with his wife or standing on Bournemouth beach, skimming stones on the sea. He has been brought in to be the acceptable face of the Lib Dems; their very own Alesha Dixon.

He got the job at the expense of Vince Cable, the balding, middle-aged Voice of Integrity™ who is, across the political spectrum, acknowledged as the man with the ideas and the substance to make a difference for the party. Spin dogma suggests that “the voters” want an attractive, personable head of the party, that it will make the Lib Dems more electable.

What it boils down to is that one really shouldn’t judge a book by its cover – and that it’s really time to make changes when the media start inspecting the dust jacket for signs of wear as well.

The Strictly Come Dancing results may indicate that the Lib Dems could have gambled on Cable and met the mood of the nation head on. Clegg has certainly been trying his hardest – he’s a decent politician, trying to provide substance – but the tax increases he’s been proposing will be a bitter pill for the public to swallow. Cable may be considered too old to be allowed to lead the party, but he’d surely be a more likely, trusted candidate to convince a sceptical public to accept these tax increases.

It’s against the norm for such things to happen, however. Every politician who takes a position of power has to be younger and more thrusting than the last – the pasty-faced old Etonian leaders of the opposition, Cameron and Osborne, are proof enough of this – and it may not stop until, finally, a good-looking and youthful celebrity is elected president of Britain, in a bizarre mockery of the American system, to distract from the underwhelming looks of the people who actually run the country.

Unless the Strictly Come Dancing audiences rise up and prevent it happening, of course. An armchair revolutionary is much more powerful now, thanks to the internet.

Style is just no substitute for integrity and brand authority and that seems, after this weekend, to have been made a little clearer to the world at large. We’ll have to wait and see if anything comes of this realisation, however.

Borkowski