Posts Tagged ‘jan moir’

Same Old New Old Year

I spent a little of last night, as the festive season faded and a whole new year and the return to work hove into view, watching the latest iteration of Celebrity Big Brother wipe it’s arse across my TV screen. As the usual array of desperate people, half-arsed film heroes and one hit blips on the music radar began to settle into the Big Brother house, in much the same fashion as their predecessors had last year, I got to thinking – is 2010 going to be any different from 2009? Will we have ANYTHING new in the coming months, rather than just a retread of everything that’s gone before? As we seep into January, it seems not. Read the rest of this entry »

Jordan’s Heart of Darkness

When the troubled tabloid-sacrifice uber babe Katie Price decided to re-enter the jungle, I received numerous requests to comment on TV and radio. For once I held back; I just wasn’t convinced that I had the interest or the energy to offer any opinion on another Katie Price PR move. In truth, I could not ascertain whether I thought she was obsessed by self-absorption or self-loathing.

My reluctance to comment changed when I read Jan Moir’s fantastic assassination of Katie in the Mail: “Sweet kangaroo cutlets, what have we here? Katie Price back in the jungle again? How much more of boobilicious, publicity-mad She-Chav Katie can we take?”

Jordan, the goddess of the tabloid centre spread, is seriously wounded; instead of avoiding jet lag by popping into a rehab clinic (on discounted rate for the assured media coverage) she has placed her surgically engineered torso back in the reality stocks. Is it a hapless move to rehabilitate her image in the public eye or an unrecoverable PR disaster? I am sure the audience can spot the PR conceit and are not persuaded.

Katie Price’s arrival on I’m a Celebrity Get Me Out of Here is a stunt motivated by the ego drive that comes with self-expression and self-manifestation for its own ends. Price set the trend and rewrote the wannabe handbook on how to succeed in the modern celebrity “have-a-go maelstrom”. Her self-importance can’t be restrained with niceties.

This latest PR endeavour illustrates that her addiction to column inches is now her greatest enemy. Obsessed with crushing her personal Satan – estranged hubby Peter Andre, who she met in the jungle the first time round – the exercise is surely going to go the same way as Jade Goody’s second, unpleasant experience in the Big Brother house. Can we ever forget Shilpagate?

If we take a moment to reflect, it is worth noting that we are all connected to the tarnished icon that is Jordan, addicted to the guilty pleasure of watching her antics. Her latest quest to relaunch her brand is, at the core, naïve. On the one hand, constant refreshment is at the heart of everything that has made her what she is, but on the other, it’s the core of everything that is rotten. It is a putrid masterpiece of strategy, to care so desperately for the opinion of those that don’t care.

By going into the jungle, she is begging her disciples to listen to her truth. Months of battling to win the hearts and minds of the great unwashed has failed, whilst her cuckolded other half, Andre, has been swept up into the coddling arms of the public, who see him as a victim of Katie Price’s machinations.

Jan Moir and the Power of Twitter

Now the dust has cleared – a little – in the wake of Jan Moir’s Mail article looking at the circumstances surrounding the death of Stephen Gately and the subsequent outpouring of Twitter anger, it’s worth asking what the difference is between Moir’s article, aimed at a certain set of like-minded readers, and the response on Twitter.

However ugly and unpalatable Moir’s insinuations were, there will always be celebrities and personalities in the public eye facing deconstruction, valid or not, and there will always be snarky columnists at the Mail. But it would help, if there is to be a mass outpouring of fury on Twitter in response, if it were more akin to constructive debate; it was disappointing to see that much of the response was simply mass retweeting of a few salient tweets from the likes of Stephen Fry.

It was an effective campaign, certainly, given that the Mail lost a number of high profile advertisers from the online article. But it was very much a case of an angrily bleating herd retweeting a few choice points – in much the same way as Moir’s supporters reiterated her views.

It’s interesting to note that the Mail have run a couple of big articles looking into the Twitter phenomenon over the weekend – they were clearly unsettled by the likes of Marks and Spencer pulling adverts – but I am not sure that, once the dust settles, the Mail will change its modus operandi significantly.

The only way that is likely to happen is if the masses use Twitter to voice their own opinions, rather than just relying on a few informed celebrities to dictate their opinions. The only way Twitter can become a truly democratic tool is if people find their own voice.

It will certainly be interesting to see what Moir has to say on Friday, once the dust has settled, and what reaction her response engenders.

Hype, Glory and a Question of Talent in Hay

I’m still recovering from a sold out Hay Festival appearance and the blazing sun. I’d forgotten how wonderful the Festival can be when the weather’s good!

mark and marina at hay

The discussion, Hype and Glory, with the Guardian’s Marina Hyde and our excellent chair, Paul Blezard, was wide ranging and got an excellent response from the audience. Marina wanted to reclaim the world from celebrities and wanted real people with real talent to get recognition. Why should Angelina Jolie be the face of the UN when there are committed and talented people out there who, though less glamorous, do all the hard and amazing work that Jolie is employed to make palatable to the people.

The crux of the talk was who will stop the process of fame at any cost and foreshadowed the results and aftermath of Saturday evening’s Britain’s Got Talent final perfectly. The media love a good celebrity meltdown and there is no doubt that the people who own the formats dictate the stars – and the events on Britain’s Got Talent and in its wake prove this without the shadow of a doubt.

It’s great that Diversity won – here’s a group of talented dancers who represent the best of Britain – but it’s the meteoric rise and post-loss wobble of Susan Boyle that will hold the media’s attention for longer. It’s clear that Boyle has problems – she was diagnosed as having learning difficulties as a child – and has invested way too much of herself in the rollercoaster media ride through the talent contest, as her admission to the Priory for ‘exhaustion’ proves.

Jan Moir at the Mail summed up Boyle’s performance as follows: “Boyle did seem a trifle unsteady, not to mention tranquilised during the final. Yet I still phoned in my vote for her, because she delivered the most compelling and thrilling performance of the evening.” To read the entire article, click here.

The programme has a duty of care to its contestants, but how far will they take that when there’s money at stake?

Proof of the sell-out

Proof of the sell-out

Carole Malone, in her column in yesterday’s News of the World, worries about this too: “TV bosses have a duty of care to EVERY contestant on that show-but Susan needed more support and I don’t think she’s had it. I just hope they don’t – but I worry that once BGT is over, the powers that be will wash their hands of her. No one wants to be responsible for her losing it or coming to any mental or physical harm-especially because of a show that purports to change people’s lives for the better,” she wrote. To see her entire column, click here.

There have always been troubled stars – from Gwili Andre, who I have discussed here (and in my book The Fame Formula) before, to Judy Garland. Back in the glory days, however, the stars were protected from the ugly side of fame and the intense scrutiny that is now the norm. Now, of course, we are getting to see the nightmare of fame thanks to the people’s constant, urgent need for soap opera and the media’s willingness to supply it.

On another note, I noticed that David Milliband slipped into the discussion – perhaps to learn a bit more about spin and how to patch up tarnished reputations – just as I was getting into my stride about the need for people such as myself going into schools to talk to children about the true price of fame. It was noticeable that the more political I got about fame the more uncomfortable he got, to the point that he slipped out almost as soon as he’d arrived. A shame; it would have been interesting to get his viewpoint…

David Milliband in the Hay green room

David Milliband in the Hay green room

Borkowski